Nilladriz is a talented photographer and videographer known for his exceptional work in music videos. Born on November 23, 1999, in Staten Island, New York, he later moved to Edison, New Jersey where he was raised alongside his brother. His passion for photography and videography started at a young age, and he pursued his dream by working at Little Caesars Pizza to save enough money to buy his first camera.
With dedication and hard work, Nilladriz started uploading videos on YouTube in June of 2017. His first breakthrough came when he directed the music video for the single "Port Richmond" by SquidNice. This marked the beginning of his successful career in the industry.
One of Nilladriz's notable attributes is his versatility in capturing various genres and styles of music. He has worked with well-known artists such as Fetty Wap, Reggie Mills, 6IX9INE, Skinnyfromthe9, and TraeDakidd, among others. His visual storytelling skills and creative direction have set him apart in the competitive music video industry.
Aside from his work in the underground hip hop scene, Nilladriz is also recognized for his photography of abandoned buildings. His unique perspective and attention to detail have garnered him a large following on Instagram, where he shares his photography with over 30,000 followers.
Throughout his career, Nilladriz has continued to push boundaries and explore new creative possibilities. His passion for capturing the essence of music through visuals has earned him a reputation as a rising star in the industry.
As Nilladriz continues to pave his way in the world of photography and videography, he remains committed to honing his craft and challenging himself creatively. With a keen eye for detail and a deep love for visual storytelling, he is poised to leave a lasting impact on the industry.
Follow Nilladriz on Instagram to stay updated on his latest projects and creative endeavors. His journey as a photographer and videographer is just beginning, and the world eagerly awaits to see what he will accomplish next.
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