Michael Roberts was born as William Edward Roberts on June 12, 1902, in England. He later adopted the name Michael after being inspired by the Russian intellectual Mikhail Lomonosov. Roberts showed an early interest in literature and poetry, which would shape his future career as a writer and editor.
Roberts pursued his academic studies in science and mathematics, first studying chemistry at King's College, London, and later mathematics at Trinity College, Cambridge. His diverse academic background would later influence his writing and editorial work, bringing a unique perspective to the literary world.
In the early 20th century, Roberts made a name for himself as an editor, poet, critic, and teacher. One of his most significant contributions to literature was editing The Faber Book of Modern Verse, which showcased the work of contemporary poets and helped shape the direction of modern poetry. He also published several collections of his own poetry, including These Our Matins (1930) and Orion Marches (1939), establishing himself as a talented poet in his own right.
Roberts was known for his critical insights and thoughtful analysis of literature, earning respect in academic and literary circles. He briefly joined the Communist Party of Great Britain in the mid-1920s, showing his interest in political and social issues that often found their way into his writing.
In 1935, Roberts married Janet Adam Smith, with whom he had three sons and one daughter. All four of their children went on to become professors and writers, carrying on the family's literary legacy. Roberts's family life provided him with a supportive environment in which to pursue his creative endeavors and make a lasting impact on the literary world.
Roberts's influence on modern poetry and literature is still felt today, as his editorial work and poetry collections continue to be studied and appreciated by scholars and readers alike. His dedication to the craft of writing and his contributions to the literary community have left a lasting legacy that will be remembered for years to come.
In addition to his editorial and poetic work, Roberts also edited a 1933 poetry anthology called New Country, which featured the work of other notable poets like W.H. Auden. Through his collaborations and editorial projects, Roberts helped introduce new voices and perspectives to the literary world, further shaping the evolution of modern poetry.