Izaac Margin was born on November 26, 1990, in Australia. Growing up in Sydney, he was surrounded by music from a young age. His love for playing the guitar developed early on, and he quickly showed a natural talent for the instrument.
As he got older, Izaac joined forces with his brothers Sam and Elliot Margin, along with drummer Scott Baldwin and bassist William Zeglis, to form the Australian band The Rubens. The brothers, united by their passion for music, created a sound that was a unique fusion of rock, blues, and soul.
The Rubens quickly gained popularity in the Australian music scene. Their debut single, "Lay It Down," made a splash, landing at number 57 in the Triple J Hottest 100. Their next single, "My Gun," was nominated for Best Music Video at the 2012 ARIA Awards. The band's success continued to grow, attracting a loyal fan base and critical acclaim.
Izaac and his bandmates drew inspiration from a variety of artists, including The Black Keys and Kings of Leon. The latter's inclusion of three brothers in the band - Caleb, Nathan, and Jared Followill - resonated with The Rubens, who also consisted of three siblings. This shared dynamic further fueled their creativity and musical evolution.
Despite the band's early success, Izaac chose to keep grounded and lived with his parents for some time before finding his own place. This decision allowed him to maintain a sense of normalcy amidst the whirlwind of fame, and he credits his family for providing unwavering support throughout his musical journey.
As The Rubens continue to make waves in the music industry, Izaac Margin remains a driving force behind their sound. His intricate guitar work and creative vision have been instrumental in shaping the band's identity and establishing them as a powerhouse in the Australian music scene.
Through dedication, passion, and a shared love for music, Izaac Margin and The Rubens have carved out a unique space for themselves in the world of rock and roll. With a bright future ahead, they are poised to leave a lasting legacy in the annals of music history.
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