Donald Judd, born on March 3, 1928, in Excelsior Springs, Missouri, was an American minimalist sculptor known for his groundbreaking works that challenged traditional concepts of art. From a young age, Judd showed a keen interest in philosophy, which eventually led him to pursue a degree in the subject at the College of William and Mary. After completing his undergraduate studies, Judd furthered his education at Columbia University School of General Studies, where he studied under renowned art historians Meyer Schapiro and Rudolf Wittkower, eventually earning a Master's degree in art history.
Judd's career as a sculptor took off in the 1960s when he began creating works that rejected the notion of compositional hierarchy. His minimalist sculptures, often made of industrial materials such as steel and Plexiglas, were characterized by their clean lines and geometric forms. Judd detested the label of "minimalism," preferring to describe his work as simply "specific objects" that existed within their own space.
In 1968, Judd's work gained international recognition when he was commissioned to create a permanent installation in Munster, Germany. This was followed by similar installations in Marfa, Texas, and Jerusalem, Israel, solidifying his reputation as a leading figure in the minimalist art movement.
Throughout his career, Judd also dabbled in teaching, sharing his expertise with students at Oberlin College. His influence on the art world extended beyond his own work, as he was a contemporary of renowned artists such as Jasper Johns.
In his personal life, Judd married dancer Julie Finch, with whom he had two children. Despite his global success as a sculptor, Judd maintained a strong connection to his roots in the American Midwest, drawing inspiration from the landscapes of Missouri.
Donald Judd's legacy as a pioneer in minimalist art continues to inspire artists and art enthusiasts around the world. His innovative approach to sculpture and dedication to challenging artistic conventions have solidified his place in art history as a true visionary.