Dick Higgins was a multifaceted artist who left a lasting impact on the art world through his work as a poet, composer, printer, and interdisciplinary artist. He was a key figure in the Fluxus movement of the 1960s, pushing the boundaries of traditional artistic practices and embracing a more experimental and collaborative approach to art.
Born on March 15, 1938, in England, Higgins was raised in New England where he developed a passion for the arts at a young age. As he entered adulthood, he furthered his education at the New School of Social Research in New York City, immersing himself in the vibrant artistic scene of the city.
One of Higgins' notable contributions to the art world was his invention of the term "intermedia" to describe the innovative cross-disciplinary work that he and other Fluxus artists were engaged in. This term reflected the merging of different artistic mediums and practices, blurring the lines between traditional artistic categories.
In 1960, Higgins married fellow artist Alison Knowles, and together they embarked on a creative partnership that would shape both of their artistic careers. Knowles, like Higgins, was a trailblazer in the world of interdisciplinary art, and their collaboration resulted in groundbreaking works that challenged conventional notions of art.
Throughout his career, Higgins published a number of influential works, including "On the Composition of Signs and Images" and "A Dialectic of Centuries: Notes towards a Theory of the New Arts." These works explored the intersections of language, visual art, and music, showcasing Higgins' rich and diverse artistic sensibilities.
One of Higgins' most significant influences was the composer John Cage, with whom he studied composition in New York. Cage's experimental approach to music and art had a profound impact on Higgins, shaping his own artistic practice and encouraging him to explore new avenues of creativity.
As a pioneering figure in the world of interdisciplinary art, Higgins' legacy continues to inspire artists across the globe. His willingness to challenge artistic boundaries and embrace collaboration has left an indelible mark on the art world, cementing his place as a true visionary in the realm of contemporary art.