Brian Howard, an English poet and journalist, was born on March 13, 1905, in Hascombe, Surrey, to American parents of Jewish descent. He attended Eton College, where his intellect and talent for writing were evident from a young age. Howard's upbringing in a well-to-do family provided him with the privilege to pursue his interests in literature and journalism.
After completing his schooling at Eton College, Howard went on to become a part of the literary group known as the Oxford Wits. This association exposed him to the vibrant and intellectually stimulating environment of Oxford University, where he honed his skills as a writer and thinker.
Howard's literary career truly took off when he became a key figure in London's "Bright Young Things" scene in the 1920s. This group of privileged Bohemian party-goers captivated the imagination of the public and were often satirized in novels of the time. Howard's sharp wit and keen observational skills made him a recognizable figure in this social circle.
Aside from his involvement in the social scene, Howard also made a significant contribution to the world of journalism. Towards the end of his life, he began writing for the New Statesman, showcasing his versatility as a writer and commentator.
One of Howard's lasting contributions to popular culture is the phrase, "Anybody seen in a bus over the age of 30 has been a failure in life." This quote, often misattributed to Margaret Thatcher, reflects Howard's sharp wit and irreverent attitude towards societal norms. His ability to capture the essence of his generation through his writing continues to resonate with audiences today.
Despite his success and influence in literary and social circles, Howard faced personal challenges throughout his life. His struggles with identity and belonging, stemming from his mixed heritage and upbringing, added a layer of complexity to his persona.
As Howard grew older, he grappled with the changing landscape of London's social scene and struggled to maintain relevance in a rapidly evolving world. His involvement with the New Statesman provided him with a platform to express his views and engage with contemporary issues, but he ultimately found himself at odds with the shifting values of the time.